No.
Of course they're not treated equally.
Sure - there are women in postions of authority but how they are portrayed?
McGonagal is powerful, but she is also the stereotypical spinster who doesn't have quite the same weight of authority, knowledge, skill or insight as Dumbledore.Sure she's smart, but she just doesn't have his flair, panache or any surrounding aura of power around her, aside from being a strict teacher. She's "good ol' trusty, reliable schoolmarmish McGonagal.
But beyond a classroom setting, have you ever seen McGonagal really deal to anyone as a powerful witch in her own right, or perform any action that might (heaven forbid) put her on equal footing with Dumbldore? With the possible exception of Bellatrix and Hermione, how many women in HP really do anything in terms of magic - which, after all is supposedly the underlying rataionale behind the series?
Don't mention Ginny. JK may well be waiting to unleash her power upon us all in Book 7, but thus far, we have had very little in the way of genuinely powerful, affective magic from Miss Weasley.) Thus far, Ginny is a psuedo-feminist Bratz doll and the delight she takes in competing with and talking down to other girls is somewhat disturbing. (She hates Fleur, squabbles with her mother, disdains Romilda Vane, eventually clashes with Hermione, and patronises Luna.)
There is Madam Maixime who is a headmistress - but what have you ever seen her actually do?
Angelina Johnson is not only black and female, but gets to be head of the Quidditch team. Wow. Progress, you might think? Forget it. She yells, gets angry and on more than one occasion is almost reduced to the point of tears when her star player isn't around. You never get a sense of her being competent and in control like Woods, who was portrayed as passionate (in a slightly comic way) rather than near-tearful.
Cho Chang seemed like a reasonable portrayal of a girl until she morphed into a giggly, whiny, clinging, impetuous 'human hosepipe' that drew the scorn of both Harry and Ron.
Bellatrix is powerful, but of course she just happens to be imbalanced, vindictive, hyper-emotional and bordering on insane -- and in all probability has a sad crush on Voldy. (Do you think you'd ever see that kind of behaviour from slick Lucius?) Narcissus is completely dull compared to Lucius.
Rita Skeeter is your quintessential vindictive, destructive gossip.
There was nosy, snooping Bertha Jorkins, and the largely marginalised, ineffectual Arabella Figgs.
But don't worry - there's Poppy Pomfrey and Pomona Sprout -- your earth mother types who are comfortingly stuffed in the background. And if that doesn't satisfy there's Molly Weasley to play the shrill domestic goddess.
And if that's not your style, then you have a Lady Hitler in the form of Umbridge. If you dislike ultra control-freaks however, then you need look no further than the pitiful figure of closet-alcoholic Sybil Trelawney.
Tonks character trajectory is depressing that it doesn't even bear analysis.
Fleur was simply the 'pretty' champion who every guy in sight completely whipped in competition without effort, was no serious threat to anyone, then reappeared as Bill's rib in Book 6.
Parvati Patil and Lavender are two girls who are best friends who *gasp* happen to actually hang out together (rather than prioritising men or having primary loyalties to men over women the way that most of the women in the series do. Molly is attached to Arthur, Hermione to Harry and Ron, McGonagal to Dumbledore, Bellatrix to Voldemort, Narcissus to Lucius, Tonks to Lupin, Fleur to Bill, while we only ever learnt about Cho in relation to whatever boy's arm she was hanging off - first Cedric, then Harry, followed by Michael. Pansy Parkinson is Malfoy's cheerleader, and Ginny is Harry's and so forth.)
So how are they portrayed? As shallow, giggling, fashion conscious gal pals with barely a braincell between the two of them - for how else could they be loyal accolytes of an obviously incompetent fraud like Trelawney? After Book 6, who has any respect for lovestruck Lavender crawling around after Ron? Not the reader who was clearly intended to simply laugh and sneer at her sudden, inexplicable fit of desperation. And clearly not Ron, who couldn't even be bothered to go through the motions of actually breaking up with her.
Simply put there are very few women who are not in a supporting 'back up' role to male characters, unless they are the wayward and utterly toxic Rita Skeeter, or the hag-like Millicent Bulstrode. Then again, there is Luna Lovegood. Or should I say there
was a female character who was kooky and weird, but an actual individual who wasn't anyone's accolyte and seemed to have a measure of real independence and a backbone to boot. That was until she became a raving Ginny fan in book six, who was all but begging for the D.A. to be reestablished in order to gain some semblance of a social life.
But what about Hermione?
What
about Hermione. The author has already admitted that Hermione is a 'caricature of her younger self' - a self that she has presumably cast off and no longer identifies with. I like Hermione - she is my favourite character in the book. However, I'm not in the least bit blind to the serious issues with this character. Hermione is a pencil-sharpening swot - she's the girl who fanatically takes notes, works studiously and doesn't have an ounce of imaginative or intellectual creativity. Like McGonagal, Hermione is deeply practical, sensible and efficient but her efforts are characterised by a distinct lack of natural flair.
I don't think that it is any accident that Hermione almost studies to the point of insanity, whereas Snape's, Dumbledore's, Sirius', James', Voldemort's and even Fred and George's accomplishment's don't seem to require nearly as much exhaustive effort.
And the truth about Hermione is that other than sudden her Book 6 'friendship' with Ginny, that operates more as an anti-Fleur allegiance anyway (how 'feminist'!) she has no female friends. She is made an honorary "boy" in PS by 'not ratting' on Ron and Harry, who up until that point had completely rejected her. Now she is in a position to function as a walking library while proof-reading Harry an dRon's homework. Yay feminism!
Hermione is competent - true. However, even though Hermione may be more magically competent than most of Hogwart's put together, JK didn't put the 'chosen' wand in her hand and send her off to fight Voldemort. After all, she's not male, and she's not Harry. She's Harry's much-needed aide who props him up in the role of hero.
Hermione's current 'romance' with Ron only makes sense if she is a hard-working but deeply insecure overachiever seeking affirmation from whereever she can get it. *Enter Ron, stage-left* In that scenario - sure. Ron and Hermione are 'realistic'. If however, Hermione had any natural academic talent and actual self-esteem to go along with, chances are she wouldn't look at Ron beyond a cursory fling. I work among academic women, and interestingly enough there is not a single one of them paired up with a 'Ron-type'. Not one. Those who want dogs, have dogs - not slow guys who fulfil that function.
Hermione storms and sobs afte, and overr Ron (becuase she's in *lurve*), yet somehow Ron manages to hold on to his senses and his dignity. Yeah - there's no gender stereotypes in that scenario. Yep.
Amelia Bones is about as close as HP has come to having an accomplished, intelligent, independent and possibly brilliant woman. Except that she was a.) anaemically underdeveloped as a character and is b.) currently deceased.
There are
no Lyras, Ruta Skadis, Alannas, Trisandas, Dajas, Eveys, Ronica Vestritts, Althea Vestritts, Ettas,or even Maltas in HP.
QUOTE
Hermione made a comment that "Harry did not think a girl would be clever enough." Harry retaliated by saying, "How could I hang out with you for five years and not think girls are clever?"
This scene should provide insight into our discussion, for the words are those of people living in the books. Why does Hermione use this particular arguement against Harry? Is this a resentment or belief that she carries from the Muggle world or is she being perceptive about the wizarding world?
It could be a little a both. After all it is not as if the wizarding world is all that distinguishable from the wizarding world save for magic, and being oddly limited and antiquated in any number of respects. Or it could have something specifically to do with Harry's general attitude towards girls and women... but that's for some other post.