I love coming back to this topic to see such amazing responses! Thank you all!
Insomnia, I noticed you reading it a while back and am so glad you decided to post!
I absolutely agree with you! The final confrontation between Harry and LV most certainly lacked JK's '"flair for dramatics." I think the reason for this is that in JK's mind, the real climax was Harry's death scene in the train station. Its there that he discovers how he "wins" and why he ultimately beats LV. And quite frankly, LV isn't so scary once you've seen his lump of baby soul. (horribly horribly creepy, however).
If this truly WAS intended to be "the" climax, I think she pulled it off as far as flair and dramatics goes. And I think that it really did tie it all up nice and neat. BUT (and this is a big but) I think that if she intended this as the climax, there should have been a way for Harry to finish the conflict
at this point in the story. I don't presume to know how this would have worked, but IMPO she should have spent less time in between the train station and the finally.
The problem I find with it is that you get to that peak in the story, and you say "oh, it all makes sense! Now we can finally get LV once and for good!" but then, there's a big amount of time in between where harry comes back to the school, and everyone fights, etc, etc. Then, the moment we've been waiting for for 17 years comes, and its bang, boom, "gochyour wand!" its over.
The thing is, it felt like she was leading up to something with that entire bit between the train station scene and the final confrontation. There's waaay too much build up and not enough oomph with Harry and LV.
As much as I disliked the fact that Harry beats LV by lucking into possession of the Elder Wand, I think it could have worked. It COULD have worked, had JK written the final battle between the death eaters and the good guys, THEN harry goes to face his doom. After the train station scene, we should have had instant gratification with a Harry and Voldemort show down then and there. The train station chapter would have had a carry over effect, so the "flair and drama" would have been there, and she could have Harry beat LV with his own wand too.
Alas, it wasn't meant to be. JK sets us up for a lot without coming through for her readers.
Which brings me to
insomnia's next point about Malfoy. Yes, JK does show him in a better light. He is trying. But its not enough. Like Vega said in her earlier post, the Slytherin's
needed to be redeemed. JK's final vision concerning Malfoy and the Slytherins in general simply
don't do justice to the last six books. This plot line was
clearly amounting to something, and over and over again, there are multiple references to 1. the choices you make determining who you are and 2. house (and global) unity. JK simply did not come through for the readers. She may have put forth some effort, but it simply wasn't enough to send home the message.
Vega's point about Harry's pure heart bit is also related. JK once again set up something that she just did not bring to fruition:
QUOTE
... Harry didn't appear to remain "pure of heart" in DH. I was disconcerted that Harry was prepared to deceive Griphook, giving him Gryffindor’s sword in the Gringott’s vault that Harry knows is a fake. " 'We tell Griphook we need the sword until we get inside the vault, and then he can have it. There’s a fake in there isn’t there? We switch them and give him the fake.' " (DH chapter 25 p. 409)
And then Harry plans to be deceptive about when he will give Griphook the sword. "Harry made the offer, careful to phrase it so not to give any definite time for the handover of the sword." (DH chapter 25 p. 411)
I was very disappointed and it seemed contradictory to the "pure of heart" theme, when Harry used an Unforgiveable in Gringott's. "Harry raised the hawthorne wand beneath the Cloak, pointed it at the old Goblin and whispered, for the first time in his life, 'Imperio' (DH chapter 26 p. 428).
edited addition - Harry also uses an Unforgiveable, the Cruciatus curse on Amycus when he spat in McGonagall's face. Harry's reaction is too extreme for the provocation.
"And he [Amycus] spat in her face.
Harry pulled the Cloak off himself, raised his wand and said, 'You shouldn't have done that.'
As Amycus spun around, Harry shouted, 'Crucio!' " (DH chapter 30 p. 477) end of edit
JK absolutely sets up the idea that Harry has very strong moral fibers that put him on a level above everyone else:
1) In the fifth book, Harry is incapable of preforming the Cruciatus curse on Bellatrix, because he cannot hate her enough to preform the spell, even though she just killed one of the most important people in his life and his last chance of a parental figure. He just CAN'T.
2) In the sixth book, Harry
again attempts an unforgivable on Snape, the murderer of his friend and mentor in (at the time) cold blood while Dumbledore was completely helpless. And this is a man who has tormented Harry for years and years. Harry DOES hate him. and (I think I recall correctly) he can't do it. And Snape says to him "No unforgivables for you, Potter." (even if Snape stopped him before he could complete the spell (which might have been the case, I can't remember) I thought this was foreshadowing, not just Snape taunting him.)
I thought for sure that these two incidents had a specific meaning in regards to Harry's character. These two attempts at unforgivables, along with the countless moral high roads Harry has taken (i.e. Saving Fluer's sister in the Tri-wizard tournament), proved that there was something about Harry that made him different.
Apparently not. Harry is just as capable as preforming unforgivables and behaving immorally and deplorably as the next wizard. There is nothing different about him (aside from, as already mentioned above, how harry does not desire power).
So, back again to the first complaint:
Book 1: Hes the first in a century to play his first year on a Quiddich team and defeated Voldemort as a baby. He also saves the Philosopher's stone because he has such a good heart.
Book 2: He kills a basilisk at 12, because, as a true courageous Gryfindor, he can pull the sword out of the hat and is so good a person that the phoenix comes and cries for him.
Book 3: He produces a patronus at 13 because he believes in himself, and saves a murderer's life because its "the right thing to do"
Book 4: At 14 he wins the tri-wizard tournament, which can be attributed indirectly to the Black Lake incident.
Book 5: He finds out that hes the ONLY one who can kill LV. (quite frankly, he has issues in this book and isn't at the top of his moral game, but I think this is acceptable because of Cedric and all)
Book 6: Dumbledore becomes his mentor, AND he tells off the Minister of Magic because he (rightly) doesn't agree with his politics.
...and then what? He doesn't want power? that seems
a little....bland.
The example that stands out most to me is Harry's accomplishments in the sixth book. Now, it might not seem like much compared to the others, but do you think YOU would be able to so strongly and eloquently disagree with THE Minister of Magic? He was so poised! So in control! Harry was becoming a man.
Did he actually get to that point, though? What happened to our lead character with strong moral fibers and a back bone to boot? He became a sly, cunning man with poor morals, little ability to lead, with (as Vega has said) “incompetent” wizardry skills. Ron too. What HAPPENED to her characters?
The only character that really seemed to shine was Hermione! And, quite honestly, I thought that by the end of the sixth book, she really had it coming. Now, not everyone will agree with me when I say this, but IMPO, Hermione’s character, over and over again, has been manipulative, deceitful, and a little too full of herself.
I think I'll take a page from Vega's book and get up on my own soap box:
Examples of this include, but are not limited to: 1). she shoves her S.P.E.W visions on elves that obviously (to anyone but her) are tormented by the very notion. 2) she acts like a vindictive child throughout the Ron fiasco during the sixth book, 3) she discovered Rita’s animagus abilities and instead of alerting the authorities (which I thought was the first thing Hermione would have done!) she kept her in an unbreakable jar for at least a summer (it could have been longer, I don’t remember) and then BLACK MAILED her and 4) In the fifth book, she—smugly—brought Umbridge into the forbidden forest so the centaurs could take care of her. While there, she insulted the centaur herd because she is completely oblivious to their feelings. Although we never see it, this probably causes even more trouble for human-centaur relations and ruined any headway Dumbledor had made. (and here, she's supposed to be so "concerned' about beings (i.e House elves) rights)
Do the ends justify the means? Her heart might be in the right place, but for the most part, she acts iin ways that are self-centered, if not downright immoral, and is so very superior about all of it.
I expected JK to take her down a notch or two in the seventh installment. I understand that not everyone will feel like this, and I actually really like Hermione’s character. But at the same time, it is difficult to have anticipated the moral about-face that Hermione’s character goes through in the seventh book. She becomes an all-knowing angle, the only friend Harry needs through the camping trip of doom, and quite frankly, I just don’t understand WHY. (And my stance on this is strengthened by my opinion of how JK wrote Ron’s character in the seventh book.)
I’ve written a book. Now seems like a random place to stop, but I’m spent.
PS. Miss Minerva, thank you for your input, but if JK stated this after the fact, the point is moot, even if she had a good explanation. I still consider this as evidence of poor editing.